ROUGH EDIT INC.

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#For-Hire - Tanqueray Ten (Production Breakdown)

We were really pleased to see recent #forhire work finally starting to make the rounds on @tanquerayusa’s social media. Emrys Roberts was the Director of Photography on this project for @snoopdogg’s direct-to-camera intros + interviews with the Tanqueray Ten!  You can check some of the content here.

 Camera: Canon C300, Canon CN-E 50mm, ISO 850

Camera: Canon C300, Canon CN-E 50mm, ISO 850

Huge shout out to our Gaffer Michael Galdamez with Cam Lighting and Grip, Inc for doing a stellar job on this project. 👍

 Canon C300, Canon CN-E 50mm: The  smallHD  monitor was perfect for sending out a Rec709 feed to the clients monitor (i.e. HDMI TV on set), while still maintaining the C-Log capture in camera. 

Canon C300, Canon CN-E 50mm: The smallHD monitor was perfect for sending out a Rec709 feed to the clients monitor (i.e. HDMI TV on set), while still maintaining the C-Log capture in camera. 

 For these interview shots we used an  Arri Skypanel S30  with a grid. Flagged it off on along the top to keep too much spill from hitting the wall behind the interviewees. The daylight from the door acted as the backlight. Practicals in the space helped with a slight tungsten glow as well. 

For these interview shots we used an Arri Skypanel S30 with a grid. Flagged it off on along the top to keep too much spill from hitting the wall behind the interviewees. The daylight from the door acted as the backlight. Practicals in the space helped with a slight tungsten glow as well. 

 For Snoop's direct-to-camera, we used the  Arri Skypanel S60  as the key light with a grid in as well. We also used a  Quasar Science 4x4 Kino  for some soft fill on the left side of the frame. For back we used 1  Quasar Science Crossfade  just above the glass, as well 1 along the drinking glasses in the back of the bar to give some texture shining through.

For Snoop's direct-to-camera, we used the Arri Skypanel S60 as the key light with a grid in as well. We also used a Quasar Science 4x4 Kino for some soft fill on the left side of the frame. For back we used 1 Quasar Science Crossfade just above the glass, as well 1 along the drinking glasses in the back of the bar to give some texture shining through.